Join Handwoven and Little Looms for a Hands-on Weaving Retreat!

Whether you’re a multi-shaft or small-loom weaver, you’ll love this weaving retreat! From March 23–27, 2025, join us at a beautiful resort in York, Pennsylvania, for four luxurious days of community, education, fun, and weaving with top-notch teachers and courses that fit your interests.

All accommodations, breakfasts, lunches, dinners, classes, materials fees, shopping marketplace, and evening events are included, but space is limited. Don’t miss this worry-free weaving retreat!

What could be better than stepping away from everyday life in favor of four days of weaving with like-minded old and new friends? Weave Together with Handwoven and Little Looms is a retreat where you can expand or sharpen your weaving skills on multi-shaft, pin, inkle, tapestry, and rigid-heddle looms.

Great teachers, engaging classes, plenty of loom time, opportunities to relax with weaving friends, and just the right amount of fiber-y shopping opportunities will help you get through the end of the long winter and put a spring back in your step!

What Are Past Attendees Saying?

  • "It was everything I had wished and hoped for. A congenial group of people sharing the same interests. The stress of the world just melted away.”

    Joan W.

  • "Great classes for a variety of levels of knowledge, terrific food, very organized, wonderful teachers and programs. ...Just amazing. Don't know how you could improve.”

    Jane H.

  • “Truly wonderful experience and I am looking forward to the next event!”

    Edward C.

Classes

Monday Classes

Note: Some classes below are 2-day classes. Please check the class type and description for more details.

Dive In to Deflected Doubleweave

Instructor: Angela K. Schneider

Type: NEW! 2-day multi-shaft class | Day 1

Deflected doubleweave integrates two layers of fabric into one, creating geometric designs that shift and bend into shapes with a surprisingly organic feel. This workshop explores the workings of this complex-looking weave structure, breaking it down into simple components. We will weave multiple patterns on each draft and look at a technique for reading your cloth and designing at the loom.

  • Students will need to bring a pre-warped 8-shaft floor or table loom to class. (*8-shaft looms are highly recommended; 4-shaft looms are allowed but designs are very limited.)

  • Students will need to bring the following items to class:

    • 8-shaft floor or table loom (pre-warped according to the instructions you will be provided)

    • 2 or 3 shuttles and bobbins

    • Weft yarns, according to the instructions provided with your chosen draft

    • Weaving notions including scissors, tapestry needles, tape measure, t-pins

    • Notebook, pencil, or pen

    • Camera or cell phone to take pictures of projects

    • Reading glasses if you need them

  • Extra shuttles and bobbins, and extra weft yarns for color explorations. 

  • You will choose a draft to work with from a list provided beforehand, and warp your loom based on the instructions provided along with your draft. Instructor will provide handouts for this class. 

  • This is a confident beginner to intermediate weaving class; weavers must be able to read a draft and warp a multi-shaft loom prior to class.

Inkle Band Weaving: Basics    

Instructor: Jennifer B. Williams

Type: 1-day inkle class 

No weaving experience required

 The inkle loom is a small loom with considerable potential. In this workshop, discover the joy of weaving simple—or elaborate—bands with an infinite number of uses on this portable little loom. The workshop will cover both plain weave and pick-up. You will also learn how to efficiently warp an inkle loom and read and weave inkle pattern drafts. Jennifer will share her handy tips and tricks for inkle-weaving along the way. Whether you are a beginner or need a refresher class, this workshop is for you.   

  • Inkle loom.

  • Students should plan to bring the following supplies and equipment:

    • Open-sided inkle loom

    • Weaving yarn (warp and weft)

    • Yarn for making string heddles (crochet thread or other mercerized cottons work well)

    • 1 belt shuttle

    • Scissors

  • Note-taking supplies. 

  • During class, instructor will provide a custom inkle-weaving tool kit and original weaving drafts and handouts. 

  • No previous inkle weaving is required to attend this class. 

The Ins and Outs of Fingerweaving

Instructor: Mary Shackleford

Type: 1-day fingerweaving class

No weaving experience required

Mary will share her love of this technique as she helps you learn how to fingerweave. In this comprehensive class, she will teach you how to measure and secure a warp and the four techniques used in fingerweaving: diagonal weave, weaving from the center, changing weft color mid-row, and reversing pattern direction. You will use your new skills to create a sampler or key fob to take home and show off.

About fingerweaving: This precolonial technique was used by Indigenous people to create utilitarian bands out of local grasses or fibrous plants, which they used to carry items. After colonial contact, the grasses were replaced with yarn. Since then, fingerweavers have been creating colorful patterns on bands for decorative belts, straps, and turbans.

  • Non-loom.

  • None.

  • You are welcome to bring your own scissors and tape measure if you have them.

  • Instructor will provide the equipment and materials for your class, including yarn, dowel rods, binder clips, scissors, and a tape measure.

  • No previous fingerweaving experience is required.

That Doesn’t Look Like Plain Weave

Instructor: Karen Donde

Type: 2-day multi-shaft class (looms provided) | Day 1

Quick question: Do you know what double weave, color and weave, deflected double weave, Ms and Os, thick and thin, beiderwand, warp rep, tapestry, honeycomb, huck lace, and transparency weaving have in common? Would you believe they’re all based on plain weave, the simplest of all weave structures? This means that even complex designs using them can be easier to weave than you might think. We’ll explore a selection of these structures, breaking them down to their plain weave roots (while touching on block-design theory), and then you’ll have hands-on weaving time with them. You’ll leave this class full of ideas and a pile of samples for future reference.

Class is currently at capacity. Waitlist requests can be made during class selection.

  • Pre-warped looms will be provided. This is a round-robin style class, using both 4-shaft and 8-shaft looms.

  • Students should plan to bring the following supplies and equipment:

    • Three-ring binder

    • Printed copies of slides and supplementary handouts or a tablet or laptop for viewing those resources (see Notes)

  • A tablet or laptop to view slides and digital resources.

  • Printed weaving instructions and drafts will be provided when you arrive. Before class, your instructor will also provide digital copies of lecture slides, a resources list, and supplementary handouts. You may print these yourself and bring them to class, or view them on your digital device if you prefer.

  • This class is appropriate for intermediate multi-shaft weavers or ambitious and fearless advanced beginners.

Clasped Warp and Weft on the Rigid-Heddle Loom 

Instructor: Angela Tong

Type: 1-day rigid-heddle class 

Create dramatic color changes across your warp and weft with clasping techniques. While most weavers are familiar with clasped weft, they often haven’t tried the technique in the warp. With both techniques, you’ll learn how to control the color patterning by choosing where the colors clasp together. Create blocks of solid color, color gradation, and so much more.

  • Rigid-heddle loom with a 10" minimum weaving width.

  • Students should plan to bring the following supplies and equipment:

    EQUIPMENT

    • 10" rigid heddle loom or larger 

    • 7.5 or 8 dent heddle

    • 2–4 shuttles

    • Warping peg 

    • Threading hook

    • Clamps for loom and warping peg

    • Warp separator (warping sticks, craft paper, or paper grocery bags)

    • Tapestry needle

    • Scissors

    • Tape measure

    YARN

    • Fingering weight yarn, 3-4 colors that contrast with each other. You can choose 1 variegated/gradient and 3 solids (semi-solids are fine)

    • Scrap yarn

  • A notebook and pen/pencil.

  • Instructor will provide handouts to students for this class.

  • Students should be comfortable with direct warping a rigid-heddle loom and have experience weaving plain weave on a rigid-heddle loom. 

Sakiori and Zanshiori

Instructor: Tom Knisely

Type: 2-day multi-shaft class (looms provided) | Day 1

Join beloved instructor Tom Knisely as you weave and explore two examples of rural Japanese folk fabrics, Sakiori and Zanshiori. On the first day, you will focus on Sakiori, meaning “torn fabric weaving.” You’ll tear fabric strips and weave them into a fine thread warp to create a sturdy fabric. The second day will shift to Zanshiori, translating to “leftover thread weaving.” The numerous knots that appear in the fabric add a pleasing, textural look to the finished fabric. Sakiori and Zanshiori are great examples of how to reuse, recycle, and repurpose fabric waste. Your class also includes information about the frugality and artistic ingenuity of rural Japanese weavers by seeing and handling examples of antique Japanese pieces.

Class is currently at capacity. Waitlist requests can be made during class selection.

  • Instructor will provide looms for use during the class.

  • Students will need to bring the following items to class:

    • Thrums of leftover 8/2 and 10/2 cotton or Tencel

    • Finer-weight cotton fabric, such as batiks or prints with good color definition on both sides of the fabric, about 2 yards. If you have extra fabrics that you are willing to share, please bring them along. Old silk and rayon scarves also work well. Thrift shops such as Goodwill are perfect places to look.

    • Sharp scissors

    • Notebook, pencil, or pen

    • Camera or cell phone to take pictures of projects

    • Reading glasses if you need them

  • A cutting mat with a sharp rotary cutter and guide; shuttles and bobbins. 

  • Instructor will provide pre-warped looms, basic weaving equipment, and handouts for this class. 

  • Multi-shaft looms will be used during class, but students who are familiar with weaving plain weave on a multi-shaft or rigid-heddle loom will be a good fit for this class.

Tablet Weaving: Ram’s Horn and its Relatives

Instructor: John Mullarkey

Type: 1-day tablet/inkle class

No weaving experience required

Ram’s Horn is a popular beginner’s pattern with many variations. In this class, you’ll learn how to read a draft, set up the cards, and weave this beautiful pattern. Then, using only a few changes to turning, you’ll learn several variations of the Ram’s Horn pattern, including Ivy and Running Dog. No previous tablet-weaving experience is required.

  • Tablets with inkle loom. Note: travel-sized and compact inkles such as the Inklette will not work for this class.

  • Students should plan to bring the following supplies and equipment:

    • Inkle loom (Note: travel-sized and compact inkles such as the Inklette will not work)

    • Twenty 4-hole cards

    • Belt shuttle

    • Scissors

    • 3 balls or cones of 10/2 cotton or #10 crochet thread in 3 different colors, at least ½ ounce of each

    • 2 pill bottles filled with approximately 5 ounces each of pennies, washers, or other weight

  • None.

  • Instructor will provide class documents.

  • This class is for anyone, even those who have never touched cards before.

Tuesday Classes

Note: Some classes below are 2-day classes. Please check the class type and description for more details.

Dive In to Deflected Doubleweave

Instructor: Angela K. Schneider

Type: NEW! 2-day multi-shaft class | Day 2

Deflected doubleweave integrates two layers of fabric into one, creating geometric designs that shift and bend into shapes with a surprisingly organic feel. This workshop explores the workings of this complex-looking weave structure, breaking it down into simple components. We will weave multiple patterns on each draft and look at a technique for reading your cloth and designing at the loom.

  • Students will need to bring a pre-warped 8-shaft floor or table loom to class. (*8-shaft looms are highly recommended; 4-shaft looms are allowed but designs are very limited.)

  • Students will need to bring the following items to class:

    • 8-shaft floor or table loom (pre-warped according to the instructions you will be provided)

    • 2 or 3 shuttles and bobbins

    • Weft yarns, according to the instructions provided with your chosen draft

    • Weaving notions including scissors, tapestry needles, tape measure, t-pins

    • Notebook, pencil, or pen

    • Camera or cell phone to take pictures of projects

    • Reading glasses if you need them

  • Extra shuttles and bobbins, and extra weft yarns for color explorations. 

  • You will choose a draft to work with from a list provided beforehand, and warp your loom based on the instructions provided along with your draft. Instructor will provide handouts for this class. 

  • This is a confident beginner to intermediate weaving class; weavers must be able to read a draft and warp a multi-shaft loom prior to class.

Explore Inkle: Two-for-One Pick-Up Techniques    

Instructor: Jennifer B. Williams

Type: 1-day inkle class  

One warp, two techniques. Learn to elevate beautiful plain weave inkle bands to stunning inkle bands in this “next steps” inkle band weaving workshop. You will explore Baltic and horizontal strip-style pick-up techniques on just one warp. Special attention will be given to weaving clear and crisp motifs. Reading pick-up drafts and designing simple patterns will also be covered. 

  •  Inkle loom. 

  • Students should plan to bring the following supplies and equipment:

    • Pre-warped, open-sided inkle loom

    • Weaving yarn

    • Belt shuttle

    • Scissors

    • Pen and paper

  • Note-taking supplies.

  • Instructor will provide warping instructions prior to class. During class, Jennifer will provide students with a custom inkle-weaving tool kit and original weaving drafts and handouts.

  • Students should be familiar with warping and weaving plain-weave on an inkle loom. 

Shaker Stool Weaving

Instructor: Sara C. Bixler

Type: 1-day Shaker weaving class

No weaving experience required

Shaker handicrafts have inspired artisans for generations. Known for creating pieces that are elegant in their simplicity, many Shaker crafts are sought after by collectors, including their beautiful stools with handwoven seats. In this class, you’ll learn how to weave a small stool seat in the classic tradition of the Shakers while also learning the unique history of the Shakers. Sara will guide you step-by-step through the process; no previous weaving experience is needed to attend.

  • N/A.

  • Students should plan to bring the following supplies and equipment:

    • Notebook

    • Pen or pencil

  • None.

  • Instructor will provide all materials for your stool, including a pre-stained stool, shaker tape, and handouts. Sara will also provide additional tools required for weaving. Finished stools will fit in a full-size suitcase, or you can work with the instructor to ship your stool home.

  • No previous weaving experience required.

That Doesn’t Look Like Plain Weave

Instructor: Karen Donde

Type: 2-day multi-shaft class (looms provided) | Day 2

Quick question: Do you know what double weave, color and weave, deflected double weave, Ms and Os, thick and thin, beiderwand, warp rep, tapestry, honeycomb, huck lace, and transparency weaving have in common? Would you believe they’re all based on plain weave, the simplest of all weave structures? This means that even complex designs using them can be easier to weave than you might think. We’ll explore a selection of these structures, breaking them down to their plain weave roots (while touching on block-design theory), and then you’ll have hands-on weaving time with them. You’ll leave this class full of ideas and a pile of samples for future reference.

Class is currently at capacity. Waitlist requests can be made during class selection.

  • Pre-warped looms will be provided. This is a round-robin style class, using both 4-shaft and 8-shaft looms.

  • Students should plan to bring the following supplies and equipment:

    • Three-ring binder

    • Printed copies of slides and supplementary handouts or a tablet or laptop for viewing those resources (see Notes)

  • A tablet or laptop to view slides and digital resources.

  • Printed weaving instructions and drafts will be provided when you arrive. Before class, your instructor will also provide digital copies of lecture slides, a resources list, and supplementary handouts. You may print these yourself and bring them to class, or view them on your digital device if you prefer.

  • This class is appropriate for intermediate multi-shaft weavers or ambitious and fearless advanced beginners.

Overshot Weaving on the Rigid-Heddle Loom     

Instructor: Angela Tong

Type: 1-day rigid-heddle class 

Learn how to weave beautiful overshot patterns on the rigid-heddle loom using just one heddle and a pick-up stick. Angela will go over all the basics of overshot to get you started on this new weaving adventure. Create endless weaving possibilities as you learn to weave complex patterns using pick-up techniques.

Class is currently at capacity. Waitlist requests can be made during class selection.

  • Rigid-heddle loom with a 10" minimum weaving width.

  • Students should plan to bring the following supplies and equipment:

    EQUIPMENT

    • 10" rigid heddle loom or larger (warped for class)

    • 7.50- or 8-dent heddle

    • 2–3 shuttles

    • Pick-up stick

    • Tapestry needle

    • Scissors

    • Tape measure

     

    YARN

    • Warp: 8/4 or 3/2 cotton or cotton blend OR sport weight/dk weight wool or wool blend

    • Weft (tabby): Sport-weight cotton/cotton blend OR Sport-weight wool/wool blend in a solid color that will contrast against your Weft Pattern Yarns

    • Weft (Pattern): Worsted-weight cotton/cotton blend OR Worsted-weight wool/wool blend in 2-3 colors that will contrast against your Weft Tabby Yarn

    • Scrap yarn

  • A notebook and pen/pencil.

  •  Warping instructions will be provided prior to class. Instructor will provide handouts to students for this class. 

  • Students should be familiar with warping and weaving plain weave on a rigid-heddle loom. 

Sakiori and Zanshiori

Instructor: Tom Knisely

Type: 2-day multi-shaft class (looms provided) | Day 2

Join beloved instructor Tom Knisely as you weave and explore two examples of rural Japanese folk fabrics, Sakiori and Zanshiori. On the first day, you will focus on Sakiori, meaning “torn fabric weaving.” You’ll tear fabric strips and weave them into a fine thread warp to create a sturdy fabric. The second day will shift to Zanshiori, translating to “leftover thread weaving.” The numerous knots that appear in the fabric add a pleasing, textural look to the finished fabric. Sakiori and Zanshiori are great examples of how to reuse, recycle, and repurpose fabric waste. Your class also includes information about the frugality and artistic ingenuity of rural Japanese weavers by seeing and handling examples of antique Japanese pieces.

Class is currently at capacity. Waitlist requests can be made during class selection.

  • Instructor will provide looms for use during the class.

  • Students will need to bring the following items to class:

    • Thrums of leftover 8/2 and 10/2 cotton or Tencel

    • Finer-weight cotton fabric, such as batiks or prints with good color definition on both sides of the fabric, about 2 yards. If you have extra fabrics that you are willing to share, please bring them along. Old silk and rayon scarves also work well. Thrift shops such as Goodwill are perfect places to look.

    • Sharp scissors

    • Notebook, pencil, or pen

    • Camera or cell phone to take pictures of projects

    • Reading glasses if you need them

  • A cutting mat with a sharp rotary cutter and guide; shuttles and bobbins. 

  • Instructor will provide pre-warped looms, basic weaving equipment, and handouts for this class. 

  • Multi-shaft looms will be used during class, but students who are familiar with weaving plain weave on a multi-shaft or rigid-heddle loom will be a good fit for this class.

Tablet Weaving: Double-Card Double-Turn Diagonals

Instructor: John Mullarkey

Type: 1-day tablet/inkle class

Also called Egyptian Diagonals, this workshop will focus on weaving diagonal patterns with tablets. You will use the circular warp setup and learn how to use two packs to create mesmerizing diagonal designs. Patterns will be provided during your class, but individual exploration will also be encouraged. No previous tablet-weaving experience is required.

  • Tablets with inkle loom. Note: travel-sized and compact inkles such as the Inklette will not work for this class.

  • Students should plan to bring the following supplies and equipment:

    • Inkle loom (Note: travel-sized and compact inkles such as the Inklette will not work)

    • Twenty 4-hole cards

    • Belt shuttle

    • Scissors

    • 4 balls or cones of 10/2 mercerized or unmercerized cotton or #10 crochet thread: two balls of one color, and two balls of one different highly contrasting color; each ball should be at least 1 ounce.

  • None.

  • Instructor will provide class documents.

  • This class is for anyone, even those who have never touched cards before.

Wednesday Classes

Note: Some classes below are half-day classes. Please check the class type and description for more details.

Tablet-Woven Shoelaces 

Instructor: John Mullarkey

Type: 1-day tablet/inkle class

No weaving experience required

The humble shoelace is the perfect canvas for practicing the fundamentals of tablet weaving. With 10/2 or crochet cotton and a deck of cards, you can make custom laces that match your style. Tablet weaving is incredibly durable, so your laces will outlast your shoes! You’ll leave with the skills to successfully warp, weave, follow a pattern, and finish a tablet-woven band. No previous tablet-weaving experience is required. 

  • Tablets with inkle loom. Note: travel-sized and compact inkles such as the Inklette will not work for this class.

  • Students should plan to bring the following supplies and equipment:

    • Inkle loom (Note: travel-sized and compact inkles such as the Inklette will not work)

    • Twenty 4-hole cards

    • Belt shuttle

    • Scissors

    • 4 balls or cones of 10/2 mercerized or unmercerized cotton or #10 crochet thread: two balls of one color, and two balls of one different highly contrasting color; each ball should be at least 1/2 ounce.

  • None.

  • Instructor will provide class documents.

  • This class is for anyone, even those who have never touched cards before.

Bedouin-Inspired Bands on the Inkle Loom

Instructor: Jennifer B. Williams

Type: 1-day inkle class 

Traditionally woven on large, horizontal ground looms, Bedouin textiles are known for their intricate geometric patterns. In this class, you will use an inkle loom to explore the complementary warp pick-up technique skillfully used by Bedouin weavers for centuries. Create beautiful Bedouin-inspired inkle bands as you delve into the world of Bedouin weaving.

  • Inkle loom. 

  • Students should plan to bring the following supplies and equipment:

    • Pre-warped, open-sided inkle loom

    • Weaving yarn

    • Belt shuttle

    • Scissors

    • Pen and paper

  • Note-taking supplies.

  • Instructor will provide warping instructions prior to class. During class, Jennifer will provide students with a custom inkle-weaving tool kit and original weaving drafts and handouts.

  • Students should be familiar with warping and weaving pick-up patterning on the inkle loom. 

Surface Embellishment Sampler

Instructor: Sara C. Bixler

Type: 1-day rigid-heddle OR multi-shaft loom class

Transform your woven cloth from ordinary to extraordinary with surface embellishment techniques. In this class, you will learn various hand-manipulation techniques to add visual and textural interest to your weaving, including Danish medallions, decorative internal hemstitching, inlay, and more. You will create samplers using these techniques to showcase what you learned during each lesson.

  • Multi-shaft loom, table loom, or rigid-heddle loom with a 15" minimum weaving width.

  • Students should plan to bring the following supplies and equipment:

    • Pre-warped multi-shaft/table or rigid-heddle loom in good working order

    • Boat shuttle with bobbins or 2 stick shuttles

    • Weft materials

    • Scissors

    • Reading glasses if needed

    • Notebook

    • Pen or pencil

  • None.

  • Instructor will provide warping instructions before the event, including material usage, sett, width, and recommended warp length. Sara will also provide pick-up sticks and various tools specific to each technique, such as beading crochet hooks and special tapestry needles. During class, you’ll also have access to bins of fun novelty yarns and netting shuttles.

  • Weavers should have basic weaving skills and be familiar with weaving plain weave on either a multi-shaft, table loom, or rigid-heddle loom.

How to Design: Starting with Pictures

Instructor: Karen Donde

Type: 3-hour design class | AM Class

Ever get stuck trying to decide what to weave next? This group exercise will rev up your personal creative engine using photos as inspiration. For class, you’ll bring interesting pictures you’ve cut from magazines or old calendars, printed photos from a vacation or your garden—whatever catches your eye. Karen will teach you how to interpret colors, patterns, and shapes from them and organize your inspirations. You’ll discuss ways to transform your inspiration board into designs and share ideas among the group. Leave with new design tools—and maybe even your next project!

  • N/A.

  • Students should plan to bring the following supplies and equipment:

    • 25–30 inspirational pictures cut from magazines, catalogs, or printed from your own photos

    • Pen or pencil

    • Yarn scraps of various types and colors

    • Scissors

    • Tape

  • A color wheel and a sketchbook to save your images and ideas.

  • Instructor will provide links to design tools that you can print for use during class, along with a list of resources and lecture slides. Your instructor will also provide cards for yarn wraps and extra yarn scraps. 

  • No previous design experience needed.

How to Design: Starting with Stash 

Instructor: Karen Donde

Type: 3-hour design class | PM Class

Do you have yarn lingering on your shelf in search of the right project? Karen will guide you through developing design plans using yarn you already have on hand, especially those “challenge” yarns that linger in our stash in search of the right project.

Topics include:

  • Evaluating yarn qualities and properties

  • Applying that knowledge to the design

  • Combining different stash yarns

  • Using color and proportion tools

  • Finding patterns that emphasize the yarns’ best qualities

  • Selecting the best weave structure to bring the cloth to life

  • N/A.

  • Students will need to bring the following items to class:

    • 1 cone, skein, or sample (at least 1 yard long) of a challenge yarn from your stash that you’d like to figure out how to use. If there is one you want to use with it, bring that too.

    • All the information you know about this yarn: fiber, size, how it was processed, where it came from, age, etc. It’s OK if you’re not sure.

    • Sketchbook or notebook to record ideas, drawings, or pictures, etc.

    • Pencil or pen

    • Scissors      

    • A few colored pencils

    • Clear tape or glue stick

    • Color wheel

  • You may also bring a book with lots of weave structure examples, a few extra magazine issues to share, and a laptop or tablet (especially if you have a subscription to Handweaving.net).

  • Instructor will provide a project planning workbook for students to print and bring to class, along with other digital handouts and lists of tools and resources. During class, Karen will provide cards for yarn wraps and extra yarn scraps. 

  • No previous design experience needed.

Finishing Techniques for Rugs

Instructor: Tom Knisely

Type: 1-day finishing techniques class

Learn numerous ways to finish your handwoven rugs with finesse. You will be given a small handwoven mat to practice each technique, including finishes for weft and warp protection. Learn how to properly tie a knotted edge, how and why you might want to use either a full or half Damascus edge, and how to do several other fringe treatments that are both functional and beautiful. Other techniques include sewing a rolled hem on a rug and finishing treatments that work well with warp-faced rugs.

  • No loom will be needed for this class. 

  • Students will need to bring the following items to class:

    • A heavy book or weight such as an old cast iron iron to hold your mat down onto a table surface

    • Scissors

    • Camera or cell phone to take pictures

    • Two clamp fringe twister

  • None.

  • Instructor will provide a pre-woven rag rug sample so you can sample the techniques during class.

  • None.

A Little Taste of Fingerweaving

Instructor: Mary Shackleford

Type: 3-hour fingerweaving class | AM Class

No weaving experience required

This half-day class is a great way to try fingerweaving. In just a few short hours, you will learn how to measure and secure a warp, the foundational diagonal weave stitch used in fingerweaving, and some simple variations. You will create a sampler during class to take with you.

  • Non-loom.

  • None.

  • You are welcome to bring your own scissors and tape measure if you have them.

  • Instructor will provide the equipment and materials for your class, including yarn, dowel rods, binder clips, scissors, and a tape measure.

  • No previous fingerweaving experience is required.

  • This precolonial technique was used by Indigenous people to create utilitarian bands out of local grasses or fibrous plants, which they used to carry items. After colonial contact, the grasses were replaced with yarn. Since then, fingerweavers have been creating colorful patterns on bands for decorative belts, straps, and turbans.

A Little Taste of Twining

Instructor: Mary Shackleford

Type: 3-hour twining class | PM Class

No weaving experience required

This short class is the perfect introduction to twining. During class, Mary will teach you how to begin a piece, proceed with the twining technique, and introduce patterns, as well as different methods for finishing a piece and closing the bottom. You will create a small bag to take home with you to show off what you learned.

  • Non-loom.

  • None.

  • None.

  • Instructor will provide the equipment and materials for your class, including a cardboard “loom,” twine/yarn, and scissors.

  • No previous twining experience is required.

  • This ancient fiber-twisting technique was used by Indigenous people to create bags, fishing nets, and even dresses with cordage spun from tree bark (or other plant fibers), or bear or buffalo fur. Modern Indigenous people still use twining to create bags for tribal events.

Pin Loom Party

Instructor: Angela K. Schneider

Type: 3-hour pin loom class | AM Class

No weaving experience required

Do you have yarn leftovers? Are you looking for a good time? In this half-day class, Angela will teach you to weave on the exceptionally portable and wonderfully versatile pin looms. While they’ve been around since the early 1940s, these little looms are enjoying new popularity because they use only small amounts of yarn—and the weaving is both quick and fun. You’ll learn the basic weave, additional patterns, and joining techniques. Then, explore ways to stitch the finished pieces together or sculpt them into larger items.

Class is currently at capacity. Waitlist requests can be made during class selection.

  • 2" or 4" square pin loom.

  • Students should plan to bring the following supplies and equipment:

    • 2" or 4" square pin loom with 3-pin configuration

    • Weaving needle, tapestry needle

    • Fork

    • Assorted worsted-weight yarn

  • Students may also bring a crochet hook, size G-4 6mm or similar size, and scissors.

  • Instructor will provide printed instructions and patterns.

  • No previous weaving experience is required.

  • Instructor will provide kumihimo disks.

  • None.

  • You are welcome to bring your own braiding disk if you have one.

  • Instructor will provide braiding disks and yarn for students to use during class.

  • No previous kumihimo experience is required.

Kumihimo Starter

Instructor: Angela K. Schneider

Type: 3-hour kumihimo class (disks provided) | PM Class

No weaving experience required

Kumihimo braids have a rich history that goes back over 1,400 years. During that history, these elaborate braids have been used in jewelry, home décor, and as custom accents for handwoven projects. In this short class, Angela will teach you how to follow braiding patterns on a portable hand-held disk (yours to keep!), and you’ll also be able to try them out on a marudai braiding stool.  You’ll create a sampler of several shapes and designs to take home.

Need Equipment? We’ll Help You Find It!

As weavers, we know bringing equipment to an event can be challenging. At Weave Together, you don’t need to stress about finding something you don’t have or carrying a loom that won’t travel well. While we encourage students to bring their equipment if they can, we’ll help connect you to a source for any looms you need for the classes you want to take.

We’re in contact with local partners, and we’ll announce more information about equipment rental options in the coming months.

Meet the Instructors

At Weave Together, you’ll learn from some of the most renowned weavers and fiber artists in the world. This year’s all-star lineup includes these instructors, with more to be announced soon.

  • Jennifer B. Williams

    Jennifer B. Williams is a passionate inkle band weaver. She has been a fiber enthusiast since childhood, but, when she was introduced to inkle weaving in 2012, she found her calling. She is committed to passing on inkle weaving and seeks any opportunity to teach inkle weaving to others, in formal and informal settings. Jennifer has been known to weave on airplanes and in waiting rooms to entice someone to ask, “What are you doing.” Jennifer can be found on Instagram @inkledpink and through her blog inkledpink.com.

  • Tom Knisely

    Tom Knisely has been teaching handweaving for more than forty years. In addition to teaching, Tom weaves professionally and is a frequent contributor to Handwoven magazine. Voted Handwoven Teacher of the Year, Tom is renowned among his weaving students for his kindness, good humor, and seemingly infinite knowledge on the subject of weaving. He teaches at the beautiful Red Stone Glen Fiber Arts Center in York Haven, Pennsylvania.

  • Angela Tong

    Angela Tong is a Chinese American fiber artist and ceramicist living in Pennsylvania. A former Boston native, she studied at Massachusetts College of Art and then at the Fashion Institute of Technology in New York City. She designs knitting, crochet and weaving patterns for books and magazine publications and yarn companies. She also teaches workshops across the country and online because she loves to help and encourage people to learn new skills. Her love of small looms is evident in the projects she designs for Little Looms Magazine. She has lost count of how many rigid heddle looms and pin looms she owns. There is always a loom warped up for sampling.

    Follow her crafty adventures on IG @AngelaTongDesigns and Facebook. She hasn’t met a craft she didn’t like.

  • Karen Donde

    Karen Donde weaves garments, fashion accessories, and home textiles for sale. She also teaches beginning to advanced weaving classes and as-sorted workshops for guilds and conferences around the county, both in-person and online.

    Exploring infinite ways to create patterned textiles at the loom drives Karen’s fascination with weaving. She is drawn to intricate structural interlacements, but is thrilled when simple combinations of structure, color and texture yield beautiful, complex-looking woven designs. For Karen, learning is as exciting as creating.

    An experienced and award-winning writer, Donde now writes for and about weavers. She is a contributor to Handwoven magazine and other allied publications, Complex Weavers Journal and Heddlecraft. Karen is a member of Cross Country Weavers and is currently President of Complex Weavers.

  • John Mullarkey

    John Mullarkey is passionate about teaching tablet weaving and exploring new ways to make the art form more contemporary. Tablet weaving is a primitive technique that creates simple weave structures but offers great variation in patterning. John loves to push tablet weaving beyond its customary limits to create original and surprising interpretations of traditional structures and designs. He is a nationally recognized teacher, valued for the patience, clarity, and organization he brings to his classes. After beginning to teach in 2009, John left a software development career to focus on weaving and teaching full-time.

  • Mary Shackleford

    Mary Shackleford is descended from a Mississippi Choctaw ancestor. She is married to a Chickasaw tribal member, and is the mother of five Chickasaw children. She has 23 years of experience in the traditional Native American art of fingerweaving, which she learned from Potawatomie elder and master weaver Wisie Narcomy at the annual Chickasaw Reunions. Mary has taught fingerweaving at Chickasaw festivals and workshops as well as in live online classes reaching Indigenous peoples all over the world. She is passionate about passing on the culture by teaching and connecting with other fingerweavers and learners on YouTube, private Facebook groups, and at tribal events. Follow her on Instagram, Facebook, and YouTube @handmadetraditionsok.

  • Sara C. Bixler

    Sara C. Bixler is the owner and resident instructor of Red Stone Glen Fiber Arts Center in York, Pennsylvania. She has been teaching spinning and weaving for about 10 years and prides herself on having a broad knowledge spectrum to share with her students. She holds a Bachelor of Fine Art and a Bachelor of Science in K-12 education—although she gives full credit for the depth of her knowledge to her apprenticeship with her father, Tom Knisely. You can find many examples of Sara’s work in issues of Handwoven and Little Looms and see her in person or in one of her many weaving videos.

  • Angela K. Schneider

    Angela K. Schneider is both a techie and an artist—but above all, she’s a teacher. As Long Thread Media’s project editor, she checks and double-checks project instructions in an impressive range of fiber arts. Her designs have regularly appeared in Handwoven and Little Looms magazines, and she has created everything from delicate jewelry to massive weaving installations in public spaces. With a background balancing programming, engineering, and art, plus a Master Spinner Certificate from Olds College, she relishes getting down in the details to understand a textile. One of her greatest joys is teaching and watching someone’s eyes light up with understanding.

Itinerary

Classes and activities for multi-shaft AND small-loom weavers alike! More details for the event and class information will be added soon. Schedule is subject to change.

Sunday

Registration

Marketplace Opens!

Welcome Dinner & Introductions

 

Monday

Breakfast

Morning Class Session (3 hours)

Lunch and Marketplace Shopping

Afternoon Class Session (3 hours)

Marketplace Shopping, Dinner, and Evening Activities

Tuesday

Breakfast

Morning Class Session (3 hours)

Lunch and Marketplace Shopping

Afternoon Class Session (3 hours)

Marketplace Shopping, Dinner, and Evening Activities

Wednesday

Breakfast

Morning Class Session (3 hours)

Lunch and Final Marketplace Hours

Afternoon Class Session (3 hours)

Dinner and Evening Activities

 

Thursday

Breakfast

Checkout & Farewell

Sponsors

  • Louët

    We are thrilled to sponsor Weave Together as we celebrate our 50th anniversary this year. Our legacy of making high-quality, innovative spinning and weaving equipment continues as owner Paul Vervoorn and the entire Louet team create new products to fuel your passion. You can expect to find our newest looms and weaving tools at Weave Together. We will have many fantastic special offers throughout 2024. Check out our new website at www.louet.nl—you will find our latest 50th anniversary sales and plans here. Remember that our support line is always available with hundreds of support articles so you can find answers to your questions when you need them, or open a ticket by sending an email to support.

  • Red Stone Glen

    Everyone here at Red Stone Glen is looking forward to welcoming you to York County, PA. Our fiber arts center is located 20 minutes from Heritage Hills Resort, and we are so excited to participate as a sponsor of Weave Together. As a fiber arts center, our mission is teaching, kinship, and passion. As a part of the Marketplace, we will bring you an array of products from our shop including fiber, tools, and more. See you next year.

  • Bluebonnet Crafters, LLC

    Bluebonnet Crafters, LLC, is the home of “Pin Looms ‘n Things” ™, including the patented hexagon and jewel shaped TURTLE pin looms. Owner Gabi van Tassell offers a variety of comfortable-to-work-with pin looms for all levels of expertise, with plenty of pattern ideas and project support, along with little loom weaving essentials like replacement needles, a variety of weaving tools, and little looms related magazines and patterns. Visit turtleloom.com for news and project ideas.

  • Long Thread Media

    Long Thread Media serves content for the handspinning, handweaving, and traditional needlework communities online, in person, and in print. The company was founded by Linda Ligon, Anne Merrow, and John Bolton to publish Handwoven, Little Looms, PieceWork, Spin Off, and Farm & Fiber Knits, as well as offer information, education, and community to crafters in those fields.

Learn More

Frequently Asked Questions (FAQ)

What classes will be offered?

Classes will cover a variety of looms and topics each day, with many options to choose from as you build your schedule. Whether you are a multi-shaft weaver or love small looms like pin, inkle, tapestry, or rigid-heddle, we’ve got classes with expert instructors that fit your interests.

 

How long are the classes?

Whether you yearn to learn a new technique or develop your existing weaving skills, we have something for you in this all-inclusive weaving retreat. To build your custom three-day workshop schedule, you’ll choose from a variety of options, including:

-          2-day intensives

-          1-day focused courses

-          3-hour seminars and samplers

Class sizes will be small and centered on learning while doing in a stress-free environment.

 

Can I take just one class?

Because Weave Together is an immersive experience with activities outside class time, classes are available only as part of a 4-day package.

 

When do I choose classes?

Class offerings will be posted the first week of August. Participants will be invited to choose classes by the end of August to allow time to review class options before selecting. Selections will be based on the order in which tickets were purchased.

 

Is the event handicapped accessible?

Heritage Hills Resort has a range of facilities catering to people of all abilities, and you can learn more here on their website. If you have difficulty with mobility, please let us know so we can provide further details.

 

Can my spouse/companion attend?

Long Thread Media needs to pre-approve spouses/companions in advance of the event to ensure that we can accommodate them. Due to space limitations, spouses/companions may not attend classes, meals, or activities without pre-approval, and additional charges may apply. Please email our Customer Service team at [email protected] for more information. Attendees who have a guest joining them should choose a private ticket type. 

 

What if I need to change my plans?

You may cancel your registration for any reason up to 90 days before the event for a refund. We charge a 10% processing fee, so you will receive 90% of your payment back. 

 

Can a beginning weaver come to Weave Together?

We’ll have attendees with a range of skill levels and welcome people who are early in their weaving journey. Class descriptions will indicate which sessions are suited to weavers at all levels and what equipment will be needed. 

 

Where will the event be held?

Weave Together 2025 will all be held at the Heritage Hills Resort in York, Pennsylvania.

How do I get to the Heritage Hills Resort?

The Heritage Hills Resort is located at 2700 Mt. Rose Avenue, York, Pennsylvania 17402, just off Interstate 83. The resort is 30 miles or about 30 minutes from Harrisburg International Airport (MDT) and 65 miles from Baltimore Airport (BWI). The lowest-cost transportation options will be Uber or Lyft, which can be scheduled and priced in advance. You can also rent a car at MDT or BWI if you prefer to have a vehicle with you throughout the event. We recommend purchasing your plane tickets 2-3 months in advance for the lowest prices. The Weave Together itinerary is always subject to change.